Monthly Archives: May 2015
Blackstar’s ID:Core BEAM (current price in Finland: 299 €), which was introduced at this year’s NAMM Show, is one of a new breed of amplifiers:
The BEAM is a so-called “lifestyle amp” that combines a practical solution for living room practising with a Bluetooth stereo system with a suitable Rock look.
The newcomer is a stereophonic amp with its 20 watts of power running into a pair of three-inch speakers. Blackstar’s Super Wide Stereo-effect – a feature taken from the company’s larger ID:Core combos – can also be applied to the BEAM’s music player, with its own, separate width adjustment.
Apart from the power switch, the ID:Core BEAM’s back panel features the input jack for the (optional) footswitch. The rest of the combo’s controls and…
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Carvin’s series of extremely compact MicroBass bass combos is built using the company’s lightweight BX 250 MicroBass amplifier sunk into four differently-sized speaker cabinets. Thanks to some clever design work – as well as lightweight modern bass speakers – even the largest of the MicroBass-combos, the MB210 (equipped with two 10-inch speakers and a horn tweeter), only weighs 16 kilos.
Kitarablogi received the smallest member of the MicroBass-family for testing. The MB10 is small enough to take with you on public transport, should the need ever arise.
Carvin MicroBass MB10 (current price in Finland: 577 €) is compactness incarnate:
The combo’s dimensions are only 47 x 33 x 28 cm (h/w/d), and it weighs in at just below 12 kilos!
Despite its diminutive size the Carvin’s build is roadworthy and sturdy.
The 10-inch speaker and the horn tweeter are safely tucked away behind a chunky metal grille.
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US brand Morley are best known for their pro-quality wahs and volume pedals that many players – like Steve Vai, George Lynch and Mark Tremonti – rely on in their setups. Morley’s original series uses electro-optical electronics, instead of traditional potentiometres. The big advantage in going electro-optical lies in the fact that such a pedal won’t ever become scratchy or intermittent, because there is no mechanical control pot to wear out or become dirty.
There are quite a few guitarists, though, which – for some reason or other – prefer the “feel” and “sound” of a mechanically controlled pedal to that of an electro-optical one. Morley’s new M2-series is a nod to the more traditional players.
Nevertheless, Morley still likes to do things their own way, which is why the company has come up with a different type of mechanical control for their M2-pedals:
Traditional pedals (and their descendants) use…
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